This is the Friday recap of Ty Burr’s Watch List postings for the week. If you’d like to receive this weekly email ONLY, please go to your account page and under “Email notifications” uncheck every box except “Weekly Digest.” If you’d prefer to not receive it at all, uncheck just “Weekly Digest.”
The 2022 edition of the Sundance Film Festival began Thursday the 20th and runs through Sunday the 30th, and, as always, it’s an event that sets the table for much of the rest of the year’s movie conversation. And for the second year in a row, it has been an online-only festival, which has good points and less-good points, outlined in my first post. Out of the 82 or so feature films on tap this year, I’ve managed to see 23, slightly below my festival average, and I spent the week writing about the ones I liked best and thought you should know about. (A colleague at a major magazine was queueing up his 37th Sundance screening as of Thursday night, so either I’m slacking or he doesn’t sleep.) If you’re not interested in movies that won’t be coming to a theater or a screen near you right away, feel free to skip this week. But if you want to get a peek at where independent film is headed and who’s taking it there, read on.
Volcanos and androids and Emma Thompson, oh my.
Five portraits of women under the gun.
The most charismatic star of this year’s Sundance is currently in a Russian prison.
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